ENDANGERED SPECIES ON ABACO, BAHAMAS (1)
May 15th is – was – Endangered Species Day worldwide. I missed it, of course I did. Typical. So, belatedly, here’s the first of a short series highlighting the Endangered Species of Abaco, Bahamas. It will include a couple of species formerly found on Abaco but now extirpated and hanging on in tiny numbers in specific habitats in the wider Bahamas archipelago. Regrettably, much of the endangerment has been caused, or substantially contributed to, by a dominant species that tends to prize self-interest over broader considerations.
ABACO PARROT
These gorgeous and beloved parrots nest uniquely in limestone ground burrows in the island’s protected National Park in the south of the island, a vast area of pine forest. They are the big success story of Abaco conservation. I was fortunate enough to become tangentially involved with the parrots just as years of patient research and intensive fieldwork were beginning to impact positively on a dwindling and barely sustainable population (fewer than 1000 birds). Adults and particularly the chicks in breeding season were very vulnerable to the attentions of feral cats, non-native racoons and rats. Nests were protected, cameras were deployed, and predators eradicated.
The work of scientists such as Caroline Stahala was (and still is) supported by local organisations such as Bahamas National Trust and Friends of the Environment Abaco. Local communities lent valuable encouragement and enthusiasm to the project. No one can fail to be uplifted by the sight of a flock of these parrots flying overhead, flaunting their bright green, red and blue feathers that flash in the sunlight. Even the sound of a flock squabbling in the trees like noisy children just let out of school is a joy. Here’s a sample, recorded at Bahama Palm Shores: see if you agree…
Keith Salvesen / Rolling Harbour
10 years on, these gorgeous, raucous and intriguing birds have made a comeback, and the pleasure of their continuing visual and audible presence is hopefully secure.
Credits: Nina Henry (1, 2); Caroline Stahala (3); Keith Salvesen (4) and audio clip
